We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

Thespionage

by Momo:tempo

/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      £8 GBP  or more

     

1.
Sauce code 00:25
2.
3.
4.
5.
6.
Undo 04:13
7.
Check out 05:41
8.
9.
10.
Conspiracy 04:19
11.
12.
13.
14.
Nudge 03:50
15.
No extras 06:39
16.
17.
18.
Desire lines 01:45
19.
20.
21.
22.

about

“How do you see things? With your eyes or with your beliefs?
And have you seen what you’re wearing?

In my mind’s eye, this is a record about ways of seeing. Though this may not be obvious. It probably, >chuckle< just looks like an electro-pop spy caper. ..Or a grown man dressing up and mucking about.
“new ways of seeing” is a phrase that ’s often associated with
the evolution of twentieth century art, during times when old
establ ishments were questioned to their core and great edifices of
assumption and understand ing came crashing down in some terrible
hours and terrific cafes and truly camp telly shows.

Those old edifices were rapidly replaced with new ones made of whizzy
new building mate rials that looked grubby in a few minutes and fell
to bits in a few years And behind such crumbling brand new facades
skulked all manner of dark ideas and covert lurking with telephoto
lenses and codenames. While most people were so quickly hacked off
with this brave new world they decided to just go shopping.

it was artists who tried to make sense of all that new mate rial thinking.
even the shopping. They Tried to hold a mirror to it all, to articulate
it, to test it, to see if they could get some money off it because they
were artists and rapidly couldn’t afford the gentrified prices. and for
better or for worse, depending on who caught them, they often did it by
looking a lot like they were simply mucking about.

Thing is, then as now, while the true artistic soul is instinctively
exploring life by clawing at the clay of their work – putting on daft
outfits, or scribbling stories in verse, or splashing abstract shapes,
or scratc hing irreverent jokes, or pressing unqualified basement
records or shouting sudden baby language into bistros or moving
their bedroom into an art gallery – the accidental fallout effect of
that work should be that your eyes get changed.

You’ll know it was ult imatel y art work not esoteric tosspottery
because You’ll realise you see the world just a little differently
having swanned around it with a glass of free prosecco on a swanky
private view. whether That artist pulled a whole wall down for you, or
just twitched a blind, there’ll be some new light break into what you
believe from their blood sweat and play.

But I would say that . I half think I AM an artist. Here, let me top up your
glass. Olive?

Of course, with All that showing off – for ‘artist’ read ‘narcissist’,
right? Do Any of us really want to see the world afresh after all, or
just want to see ourselves in new ways? well, the question i half ask
with this record is Why do we even want to be seen? Or want to hide
behind more carefully rehearsed versions of ourselves, like action
heroes on a big screen? So many digital children don’t want to go
undercover, it seems, they want to be recognised. But is this not a very
old need? A need to connect, as much as a need to explore by trying
things on. Like a great pair of trousers. Or a tea cosy.

Perhaps, though, the real trick to achieving this isn’t about making a
lot more white noise to att ract attent ion. And so I wonder if It isn’t
really about how we get seen, but how we see. My identity may be mine to play with however I like, but I suppose if I don’t ever look squarely in the eye the parping chump in the ta ilor’s fulllength
mirror that I’m really dealing with, it’s all ONLY an act and will
shed more heat than light. even the best bits of theat re grow tiresome
in the end. The truth will out, not shout.

What we see every day influences our beliefs – And so too the work
we choose, in the daylight or the shadows. The artist is more akin to
secret agent than big brother housemate because, even when hiding
in plain sight, they are really there to observe and interpret. I think
the real mission is to find the confidence to make work, make a life,
that isn’t really about you in the end, even when you’ve thrown your
own body into it. because doing that might demonstrate a world much
bigger than your own little ideas. Fearful But Inspiring. WHen you’re
finally confident enough to champion someone else’s identity sooner
than your own, to champion non-conformity, you may finally have
some perspective on who you are. Or at least know that saying so
sounds quite good.

All I know is, even if this daft bit of work doesn’t save the world,
At least I can now stop sta ring at pictures of myself all day.

Ciao for now – Momo x “

credits

released May 19, 2023

STARRING:
Timo Peach as “the bloke from Momo”, synthesisers, beats, vocals
Pete Whitfield, violins [ 01, 02, 04, 05, 06, 07, 08, 10, 11, 12, 14, 15, 17, 18, 19, 20, 22 ]
Patrick Hayes, trombone [ 01. 02, 04, 06, 07, 08, 10, 12, 14, 17, 22 ]
Reuben Fowler, trumpet [ 01. 02, 04, 07, 08, 10, 12, 14, 17, 22 ]
David Ruff, saxophone [ 01. 02, 04, 06, 07, 08, 10, 12, 14, 17, 22 ]
Mark Adkins, drums [ 04, 06, 07, 08, 10, 12 ]
Simon Mellish, congas, bongos and tablas [ 02, 04, 06, 07, 08, 10, 12, 14, 20, 22 ]

With:
John Herbison, trumpet [ 06 ]
Martin Rice, guitar [ 04, 07. 08. 09, 10, 13, 19 ]
Kevin Marshall, guitar [ 02, 17, 18, 22 ]
David Ruff, flute [ 01, 04, 07, 18, 22 ]
Patrick Hayes, bass [ 07, 08, 10 ]
Simon Lockyer, cello [ 15, 20 ]
Ben Taylor, upright bass [ 06, 13 ]

And:
Paul Tucker, ukelele [ 12 ]

Guest starring:
Hazel Evans as The Diamond Guest [ 07 ] and The Scientist [ 13 ]
Tim Colthup as The Concierge [ 07 ]

Featuring:
Thanks to he people who helped me see my own work so differently, when they brought it to life by joining in – to Mr Hayes for sheer multi-musical skill, arrangement work, legendary line-up solutions and for having a creative mind that would air-punch at ‘the Top Gun bit’, to Mark for the encouragement of an Every Single Show & Rehearsal bandito and adventure-ready amigo, to Pete for ceaseless skills in articulate quality, bestowed again and again, to Mellish for shameless energies in true rhythm support, to Seventynine Mart’ for staring at my enthusiasm for his skills disbelievingly, to Dave for gentlemanly talent always deserving the best seat in the house, to Reuben for insane blows and innate showbiz, and to John for being so missed, after bringing so many maestros into my life. To essential partner chums V and Rosie for putting us out there, and to Gareth at Absolute for masterful friendly mastering. To other creative partners who have been life affirming family through so many thicks and thins and ups and downs and swirly shapes – to Julian, for hunting so successfully and earning more exotic spas for Momo than you’ve had time for yourself, old boy, to Benny for helping Momo find life on screen in so many utterly invaluable and clever ways, and to Hazel for being such a professional creative life-force, incomparable playmate and top lab smockist. Also to Gellan for being a true creative rockstar and silly sausage at the heart of Momo. Then there is the family of talent that have also changed Momo’s life since the last big adventure – to polymaffs Simon and Lee for bringing together a community of big hearted imagination and making me family, and to the ever-educating Alan, the space-time jumping Jenny, the knowledge-glittering Dan, the nerd-saucing David, the knob-twiddling Paul, the gentleman podcaster Mark, the social media-sanctifying Colleen, the intellect-wrestling Declan… and every one of the seasoned Phoniconers who help me see Momo as real. And to those that have articulated such love and encouragement over so long – to brother and sister in space and time, Tim & Vicky, to eternal love-in family Kev & Fee, to our dearest faithful trustees of Champagne Wednesdays and kitchen disco, Mike & Emma, to sailing brethren on the storms of life and dance music, Andy and Rob, to bon viveur and surely soon to be chat show co-host AJ, and to perspicacious pastoral chum of chums, Richard, and to eternal inspiration, Seb. To true supports Chris & Amanda, to creative heroes Colin & Michelle, and to Bomo renaissance superstars, Suzy, Elaine & Pat, Tim H, Chinners, Louise Sch, Powdered Martin, Desmo, and Pat & Catherine all for leading by example. And to eternal family Laura, Chris, Sazzer and the housholds of Adkins, Parker, Burne, Gee, Slingsby, Harris, Brant, Geoghegan, Richardson and of course Peach for cheering on the lunacy and being family that’s surrounded us with love, daftness and wisdom in everything. And surely more than anyone, the creative love source, Ma. But finally to the lovely first lady of Momo, who will always be my big finale, my Caroline, for helping us be all that we could be, while wondering what the hell might happen next. I love your way. x

license

all rights reserved

tags

about

Momo:tempo Bournemouth, UK

Momo:tempo is music artist and social impact storyteller, Timo Peach. Fusing influences from across electronic music, film and stage, Momo’s terrifically eclectic music production outfit is a crafted riot of beats, tunes and carefully chosen words.

Cinematic alternative electro-pop cabaret to take you beyond the club and on to the theatre.
... more

contact / help

Contact Momo:tempo

Streaming and
Download help

Report this album or account

If you like Momo:tempo, you may also like: